Skipton is located Essay Example

Skipton is located Essay Skipton is located just off the A65 20 miles away from the north west of Bradford. It is at the southern base of the Yorkshire Dales located on the river Elbeck which is a tributary of the river Aire. The word Skipton comes from the Saxon word for sheep hence the reason why it started off as a trading center for sheep and wool. Since then Skipton has grown a lot because it was of great importance in the industrial revolution due to the fact that the Leeds and Liverpool canal was used for trading. Skipton still remains a very historic town with many cobbled streets, a canal and a castle. The population is 16000 people approximately.Chapter 1 (traffic survey)Aim: To discover how the traffic in Skipton varies from time to time and from place to place.Hypothesis 1: The by-pass will have a greater proportion of commercial traffic than the road through the center of Skipton.Method: We were doing the first traffic survey on the Skipton by-pass the A65. We started the survey at 09:45am and f inished at 09:55am the survey lasted 10 minutes. We surveyed how many vehicles traveled to the north and south of Skipton. We recorded the results by sitting in a pair of two in the coach one of us collected the data of the vehicles traveling north whilst the other collected the data of the vehicles traveling south. At times we found it difficult because many vehicles were passing together in large amounts, for our data we wanted to see how many vehicles traveled north and south in an hour as we didnt have the time to collect data for an hour we multiplied the grand total of the vehicles traveling north and south by six.Results:Type of vehiclesVehicles moving northTotal amount of vehicles moving northVehicles moving southTotal amount of vehicles moving southCar40403535Van1151136Lorries6571046Buses057046Motor Bikes057046Caravans057046Bikes057046Other057046The chart and graph shows the total amount of vehicles that travel to the north and south of Skipton, and it also shows the types of vehicles and their amount, which traveled on the same road.Type of vehiclesVehicles moving northTotal amount of vehicles moving northTotal amount of vehicles moving north hourlyVehicles moving southTotal amount of vehicles moving southTotal amount of vehicles moving south hourlyCar40402403535210Van1151306136216Lorries6573421046276Buses057342046276Motor Bikes057342046276Caravans057342046276Bikes057342046276Other057342046276In this graph and chart u have multiplied the total amount of vehicles and the types of vehicles as shown on page 3 by six to show the hourly rate of traffic.Type of vehiclesVehicles moving into SkiptonTotal number of vehicles moving into SkiptonVehicles moving out of SkiptonTotal number of vehicles moving out of SkiptonCar65654545Van11761156Lorries177460Buses077565Motor Bike077065Caravan178065Bike078065Pedestrians791573398The above chart and graph show the number of vehicles and pedestrians in and out of Skipton.Type of vehicles/pedestriansVehicles/pedestrians moving into SkiptonTotal number of vehicles/ pedestriansTotal number of vehicles/pedestrians hourlyVehicles/pedestrians moving out of SkiptonTotal number of vehicles/pedestriansTotal number of vehicles/pedestrians hourlyCar65653904545270Van11764561156336Lorries177462460360Buses077462565390Motor Bike077462065390Caravan178468065390Bike078468065390Pedestrians791579423398588In this graph and chart I have multiplied the total amount of vehicles and pedestrians as shown on page 5 by six to show the hourly rate of traffic going in and out of Skipton in the morning.Conclusion: My hypothesis was incorrect as there was more traffic in the city center of Skipton rather than the by-pass (A65) of Skipton.My results disprove my hypothesis strongly because there was a lot more proportion of traffic in the city center of Skipton.I think the surveys were not done for long enough because if you want to collect data for a survey you need to collect that data for hours not 10 minutes but we figured out a solution to come up with the data of surveying for an hour by multiplying the total number of vehicles and pedestrians by 6.The results would have been different on a non market day because we visited Skipton on a market day and the Central business district/high street of Skipton was crowded with people and most of them people were crowding around the market whereas on a non-market day there wouldnt have been as many vehicles and pedestrians because there would be a less variety of shops and stalls to shop at.Hypothesis 2:In the morning the traffic will be going into Skipton and in the afternoon most of the traffic will be leaving Skipton.Method: I did my morning survey on Swadford Street that is at the bottom of the high street. We also did another survey in Swadford Street that was in the afternoon, which started at 12:35pm to 12:45pm that lasted for 10 minutes we also multiplied the total of this survey by 6 to make an hourly total. The traffic was going in and out of Skipton and was done in the exact same way as the first survey on Swadford Street.

Sample Visual Arts MFA Essay - The Essay Written By Your Student

Sample Visual Arts MFA Essay - The Essay Written By Your StudentWriting a MFA Essay sample is one of the most important parts in a student's education. This essay is what will get the student noticed as an educator or professional. Students will do well to take a careful look at their choices and find one that will best suit their educational needs.The main goal of this essay is to have the student identify what skills he or she has that make them an ideal candidate for the job and how these skills can be applied to the field. The student should know what experience is required and what skills are needed to succeed in the profession. There are different aspects to this essay.For example, if the essay focuses on one of the requirements for the career such as being a great artist, the student might want to highlight this skill. The student might also want to have the student examine the advantages and disadvantages of art work in general. It is also important for the student to underst and the concept of learning to be, their perception of their abilities and the rewards of doing so.A sample visual arts MFA essay can contain drawings, paintings, sculptures, and other images from the different disciplines. The student might want to use their own artistic talent to draw or paint the images. It can include teaching the student to create their own unique pieces of art. Some MFA students choose to illustrate their own masterpieces with oil paintings and acrylics.Students will need to create a portfolio with a list of their skills and talents from visual arts to music. This allows the student to highlight and support each of their different areas of expertise. When they put their work together, they might want to look at it and decide if it's what they are looking for. If it is, they will then need to illustrate the image using a drawing.It is important for students to write a sample visual arts MFA essay because this is where they will be going into the work world. The y will need to showcase the strengths and weaknesses of each of their artistic areas. Most students will do this in the first two years of study.The essay will likely last anywhere from 30 minutes to one hour depending on the type of program they are enrolled in and the number of students who they will be sharing this with. To ensure that the student does not forget important points in this section, make sure that they include the date and time that the essay was written.

Young Goodman Brown Essays - Abrahamic Mythology, Satan, Free Essays

Young Goodman Brown Essays - Abrahamic Mythology, Satan, Free Essays Young Goodman Brown "Young Goodman Brown", by Nathaniel Hawthorne, is a story that is thick with allegory. "Young Goodman Brown" is a moral story which is told through the perversion of a religious leader. In "Young Goodman Brown", Goodman Brown is a Puritan minister who lets his excessive pride in himself interfere with his relations with the community after he meets with the devil, and causes him to live the life of an exile in his own community. "Young Goodman Brown" begins when Faith, Brown's wife, asks him not to go on an "errand". Goodman Brown says to his "love and (my) Faith" that "this one night I must tarry away from thee." When he says his "love" and his "Faith", he is talking to his wife, but he is also talking to his "faith" to God. He is venturing into the woods to meet with the Devil, and by doing so, he leaves his unquestionable faith in God with his wife. He resolves that he will "cling to her skirts and follow her to Heaven." This is an example of the excessive pride because he feels that he can sin and meet with the Devil because of this promise that he made to himself. There is a tremendous irony to this promise because when Goodman Brown comes back at dawn; he can no longer look at his wife with the same faith he had before. When Goodman Brown finally meets with the Devil, he declares that the reason he was late was because "Faith kept me back awhile." This statement has a double meaning because his wife physically prevented him from being on time for his meeting with the devil, but his faith to God psychologically delayed his meeting with the devil. The Devil had with him a staff that "bore the likeness of a great black snake". The staff which looked like a snake is a reference to the snake in the story of Adam and Eve. The snake led Adam and Eve to their destruction by leading them to the Tree of Knowledge. The Adam and Eve story is similar to Goodman Brown in that they are both seeking unfathomable amounts of knowledge. Once Adam and Eve ate from the Tree of Knowledge they were expelled from their paradise. The Devil's staff eventually leads Goodman Brown to the Devil's ceremony which destroys Goodman Brown's faith in his fellow man, therefore expelling him from his utopia. Goodman Brown almost immediately declares that he kept his meeting with the Devil and no longer wishes to continue on his errand with the Devil. He says that he comes from a "race of honest men and good Christians" and that his father had never gone on this errand and nor will he. The Devil is quick to point out however that he was with his father and grandfather when they were flogging a woman or burning an Indian village, respectively. These acts are ironic in that they were bad deeds done in the name of good, and it shows that he does not come from "good Christians." When Goodman Brown's first excuse not to carry on with the errand proves to be unconvincing, he says he can't go because of his wife, "Faith". And because of her, he can not carry out the errand any further. At this point the Devil agrees with him and tells him to turn back to prevent that "Faith should come to any harm" like the old woman in front of them on the path. Ironically, Goodman Brown's faith is harmed because the woman on the path is the woman who "taught him his catechism in youth, and was still his moral and spiritual adviser." The Devil and the woman talk and afterward, Brown continues to walk on with the Devil in the disbelief of what he had just witnessed. Ironically, he blames the woman for consorting with the Devil but his own pride stops him from realizing that his faults are the same as the woman's. Brown again decides that he will no longer to continue on his errand and rationalizes that just because his teacher was not going to heaven, why should he "quit my dear Faith, and go after her".

Requisitos y medidas foto visa EE.UU. y cómo subirla

Requisitos y medidas foto visa EE.UU. y cà ³mo subirla Las fotos para las visas no inmigrantes, visas de inmigrantes y para participar en el sorteo de la loterà ­a de visas de diversidad de EE.UU. deben cumplir requisitos sobre cà ³mo debe lucir en ellas el fotografiado y medidas. Adems, en los casos en los que es necesario subir la foto al formulario de solicitud del visado, la imagen debe cumplir con los parmetros de peso, dimensiones y formato. Antes de seguir con este artà ­culo cabe destacar que no todos los solicitantes de visa para Estados Unidos necesitan sacar una foto y subirla al formulario de solicitud de la misma o llevarla en formato papel al consulado el dà ­a de la entrevista. Y es que en los casos de solicitarla en un consulado con Centro de Apoyo como CAS o ACS como sucede, por ejemplo, al solicitar la visa de turista en Argentina, Mà ©xico o Repà ºblica Dominicana, las fotos se toman en dichos centros junto con otros datos biomà ©tricos como las huellas digitales. Por lo tanto, toda la informacià ³n de este artà ­culo solamente aplica en los casos en los que las fotos no deban ser tomadas en un Centro de Apoyo. En el mismo se explican los requisitos de foto y fotografiado, tamaà ±o, peso y formato de las fotos digitales, cà ³mo saber si cumplen con los parmetros, cà ³mo modificarlos si fuera necesario y cà ³mo subir con à ©xito la foto al formulario de solicitud de la visa. Finalmente, cules son las caracterà ­sticas de las fotos en papel. Requisitos de las fotos para las visas americanas Las imgenes deben cumplir los siguientes requisitos: en color, con fondo blanco o blanco roto (off-white). La persona fotografiada, que es la que solicita la visa, debe mirar de frente a la cmara y asegurarse de que la cabeza sale centrada en la fotografà ­a y completa, desde el pelo hasta la barbilla, que debe alcanzar unas medidas de entre una pulgada y 1 3/8 pulgadas (entre 25 y 35 mm). Ambos ojos deben salir abiertos y la altura de los ojos caer entre 1 1/8 y 1 3/8 pulgadas del fondo de la fotografà ­a ( entre 28 y 35 mm). Para asegurarse de que se cumplen las especificaciones es recomendable familiarizarse con ejemplos que cumplen estos requisitos. No puede vestirse ningà ºn tipo de uniforme, salvo el religioso como por ejemplo en el caso de sacerdotes y monjas. Tampoco se deben llevar gorros, sombreros, velos o cualquier otra prenda u objeto que dificulte la vista del pelo, salvo que su utilizacià ³n està © justificada por motivos religiosos. Si habitualmente se utilizan audà ­fonos no es necesario quitarlos para sacar la foto si se tiene la precaucià ³n de evitar que se produzcan reflejos en los cristales. Sin embargo, en la actualidad si se usa espejuelos o lentes es necesario quitarlos, salvo cuando no sea posible hacerlo por razones mà ©dicas. En ningà ºn caso la oficina consular aceptar como vlidas fotos de mala calidad o que son el producto de haber escaneado la foto de un I.D., como por ejemplo una licencia de manejar. Tampoco son vlidas aquà ©llas en las que la persona sale de cuerpo completo. Dà ³nde tomar las fotos para la visa americana Si se est en Estados Unidos, en cualquier negocio de fotografà ­a que saquen fotos para el pasaporte americano. Lo mismo puede decirse de otros paà ­ses. En este caso es imprescindible hablar con el fotà ³grafo y especificarle los requisitos de fondo blanco, tamaà ±o, mirada al frente, etc. Incluso, si reà ºnen los requisitos, es posible hacerlo con un telà ©fono mà ³vil o una webcam. En estos casos, asegurarse de cumplir todas las directrices mencionadas y que la foto tiene calidad suficiente. Si la foto debe subirse al formulario de solicitud de la visa y no est ya digitalizada puede escanearse con una resolucià ³n de 300 pixeles por pulgada (12 pixeles por milà ­metro). Se puede enviar por correo electrà ³nico para descargarla en la computadora en la que se va a realizar el trmite de solicitud de la visa. Medidas, peso y formato de las fotos digitales para la visa americana. En los casos en los que la foto debe subirse al formulario de solicitud de la visa aparece la expresià ³n Photo Upload en dicha planilla. En estos casos, la imagen debe tener las siguientes caracterà ­sticas Tener una dimensià ³n mà ­nima de 600 x 600 pixeles (ancho x largo)En color de 24 bits por pixelSà ³lo se admite el formato JPEG.Y el tamaà ±o del archivo ha de ser de 240 kb o menor. Si es necesario, puede comprimirse con una proporcià ³n de 20 a 1 o menor. Se puede verificar si la foto cumple con esos parmetros colocando el cursor sobre ella y clickando con el botà ³n derecho del ratà ³n. Se abre la ventana de propiedades y, en la etiqueta de General puede verificarse el tamaà ±o en KB. En la etiqueta de Detalle puede comprobarse el alto y ancho de la imagen. Si no cumpliese con los requisitos seà ±alados anteriormente, es posible cambiarlos utilizando un programa. Para hacerlo, si se tiene una computadora con el sistema operativo Windows colocar el cursor sobre la imagen, hacer click con el ratà ³n derecho y en Abrir con elegir Paint. Checar la Barra de Estatus y asà ­ es posible ver la informacià ³n de la foto en la parte inferior de la misma. A continuacià ³n, para ajustar la foto a los parmetros necesarios clickar en el icono de Seleccionar para cambiar el alto y ancho de la foto. Una vez que en la barra de estatus se obtienen los nà ºmeros que se buscan clickar en Guardar y elegir como formato JPEG y a continuacià ³n en Guardar como, dale un nombre y guardar. Si se tiene una computadora Mac puede utilizarse Paintbrush. En todos los casos pueden utilizarse otros programas informticos de manipulacià ³n de fotografà ­a. Cà ³mo subir la foto al formulario de solicitud de la visa Cuando se est llenando el formulario de solicitud de visa el momento para subir la foto es cuando se llega a Upload Image. Se debe clickar en ese botà ³n. A continuacià ³n aparecen las directrices ya mencionadas sobre peso, dimensiones y formato. Si alguno de los parmetros no es el exigido se va a obtener un mensaje de error y, si es el formato el equivocado, un mensaje de Only JPEG Images. La solucià ³n es modificar los parmetros como se explicà ³ en el apartado anterior. Una vez que se est seguro de que todo est correcto clickar a Browse y elegir la foto. Dar a OK y aparecer la foto. En ese momento se pueden ver dos botones: Upload Again y Confirm. Clickar en este à ºltimo y dar a OK y asà ­ se sube realmente la foto al formulario y ya se puede continuar con la aplicacià ³n. Fotos 5x5 para la visa americana En algunos consulados o para algunos tipos de visas el requisito es llevar una o dos fotos a la entrevista. En este caso deben cumplir con los requisitos de fondo blanco o blanco roto, no espejuelos, mirar de frente, etc. explicados con anterioridad. Adems, la foto debe: Estar impresa en papel de buena calidadTamaà ±o de 5x5, es decir, 5 cm de ancho por 5 cm de largo, o lo que es lo mismo: 2 pulgadas por 2 pulgadas (51 x 51 mm).Si se pide ms de una foto, todas deben ser idà ©nticas. Adems, si la foto se subià ³ digitalmente siguiendo los puntos que seà ±alaba el formulario de solicitud de la visa es prudente llevar una foto de estas caracterà ­sticas tambià ©n el dà ­a de la entrevista. Para re-asegurarse de que la foto est clara y no ha habido ningà ºn problema con el sistema. Puntos Clave: fotos para visa americana Las visas no inmigrante, las de inmigrante y la loterà ­a de visas de diversidad requieren una fotografà ­a o ms del solicitante. Dependiendo del tipo de visa y/o consulado, el solicitante puede tener que presentarse a un Centro de Atencià ³n donde le tomarn las huellas digitales y la foto antes de la entrevista en el consulado.Por el contrario, si debe subirla digitalmente al formulario de solicitud de la visa o presentarla en papel en el consulado, los requisitos son los siguientes:Requisitos de la foto: en color, fondo blanco o blanco roto. El fotografiado debe mirar a la cmara, con los ojos abiertos y sin gafas ni sombreros o gorras. La excepcià ³n son los velos religiosos, por ejemplo, los de las monjas.Parmetros digitales: formato JPGE, mximo 240kb y medidas de 600 pixeles de ancho por 600 pixeles de largo. Programas como Paint y Paintbrush permiten modificar los parmetros de las foto para ajustarlos a estos requisitos.Foto en papel: debe ser de buena calidad y tener un tam aà ±o de 5 cm de ancho por 5 cm de largo. Si deben presentarse dos fotos, ambas sern iguales.Dà ³nde sacar las fotos: pueden tomarse en cualquier fotà ³grafo que saque fotos para pasaporte, especificando las caracterà ­sticas que debe tener la foto. Posteriormente, si debe subirse digitalmente para subirla al formulario de solicitud de la visa, puede escanearse empleando una resolucià ³n de 300 pixeles por pulgada. Este es un artà ­culo informativo. No es asesorà ­a legal de ningà ºn tipo.

Gradcom Ltd Organization Behavior Research Paper

Gradcom Ltd Organization Behavior - Research Paper Example This paper highlights that  some of the external influences resulting from the management can be manipulated to be benefit the company. It is however the duty of the management to find out how. The better the managers understand their employees, the better the relationship and the better the performance per employee. This analysis is going to be based on the factor stated above in relation to my current company-Gradcom. It is renowned for its mobile phones and computer consultancy services in Kenya and the whole of East Africa. It has been in this business for more than ten years now.  This study outlines that communication is the key to success of every organization. It is through communication that information is passed from the floor managers to the apex C.E.Os for decision making in bureaucratic organizations. A failure at any level guarantees total failure since decisions will be made based on a distorted information or insufficient data. Communication at Gradcom can be desc ribed as a mix of formal and informal with the former being strictly for communications that requires keeping records. Grapevine define the communication among the employees with majority of the information passed on informally from person to person. This culture by the prevailing environment that discourages authoritarian ruling of the juniors and less hierarchical ranks within the organization.  Most of the formal communications involve written memos, outgoing and incoming letters as well as any other official documentations where records are a necessity.

Corporate Cultures and Their Impact on Recruitment and Retention Essay

Corporate Cultures and Their Impact on Recruitment and Retention - Essay Example The study suggests that global companies are realizing the importance and need to invest in the human ‘capital’. They can no longer take people for granted and sit back. Global economy is expanding, business opportunities growing but the available workforce steadily reducing. A culturally strong organization succeeds in attracting and retaining the top talent and can expect to climb the ladder of success. By the close of the twentieth century, business houses came to accept that people, not cash, buildings, or equipments differentiate one company from another. Corporate culture is moving into the limelight and proving to be an untapped asset for employees and businesses alike. Researches have shown that at the time of economic turndown the companies having strong and adaptive cultures are better able to handle the financial crisis than those with weak and poorly defined cultures. The right combination of people and culture can mean the difference between the financial su ccess and failure. As technology advances corporate culture will assume an even bigger role especially in the IT sector as competition increases. Organizations today recognize the need to attract the right brains to thrive in the competitive market and retain the employees. The norms of an organization are transmitted from generation to generation and are responsible for its financial success, which is the ultimate goal of any business organization. Understanding and assessing the company culture at every stage is vital.

George Bernard Shaw and His Short Story About the Cremation of The Narr

George Bernard Shaw and His Short Story About the Cremation of The Narrator's Mother   Ã‚  Ã‚  Ã‚  Ã‚  In a written exerpt from a letter about the cremation of his mother, George Bernard Shaw recalls her â€Å"passage† with humor and understanding. The dark humor associated with the horrid details of disposing of his mother's physical body are eventually reconciled with an understanding that her spirit lives on. He imagines how she would find humor in the bizarre event of her own cremation. The quality of humor unites Shaw and his mother in a bond that transcends the event of death and helps Shaw understand that her spirit will never die. The reader is also released from the horror of facing the mechanics of the cremation process when â€Å"Mama's† own comments lead us to understand that her personality and spirit will live on.   Ã‚  Ã‚  Ã‚  Ã‚  Shaw's diction is effective in conveying his mood and dramatizing the process of cremation. The traditional words of a burial service â€Å"ashes to ashes, dust to dust† are not altered for the cremation, the interior chamber â€Å"looked cool, clean, and sunny† as by a graveside, and the coffin was presented â€Å"feet first† as in a ground burial. In selecting aspects of a traditional burial service, Shaw's mood is revealed as ambivalent toward cremation by imposing recalled fragments of ground burial for contrast. Strangely fascinated, he begins to wonder exactly what happens when one is cremated. This mood of awe is dramatized a... George Bernard Shaw and His Short Story About the Cremation of The Narr George Bernard Shaw and His Short Story About the Cremation of The Narrator's Mother   Ã‚  Ã‚  Ã‚  Ã‚  In a written exerpt from a letter about the cremation of his mother, George Bernard Shaw recalls her â€Å"passage† with humor and understanding. The dark humor associated with the horrid details of disposing of his mother's physical body are eventually reconciled with an understanding that her spirit lives on. He imagines how she would find humor in the bizarre event of her own cremation. The quality of humor unites Shaw and his mother in a bond that transcends the event of death and helps Shaw understand that her spirit will never die. The reader is also released from the horror of facing the mechanics of the cremation process when â€Å"Mama's† own comments lead us to understand that her personality and spirit will live on.   Ã‚  Ã‚  Ã‚  Ã‚  Shaw's diction is effective in conveying his mood and dramatizing the process of cremation. The traditional words of a burial service â€Å"ashes to ashes, dust to dust† are not altered for the cremation, the interior chamber â€Å"looked cool, clean, and sunny† as by a graveside, and the coffin was presented â€Å"feet first† as in a ground burial. In selecting aspects of a traditional burial service, Shaw's mood is revealed as ambivalent toward cremation by imposing recalled fragments of ground burial for contrast. Strangely fascinated, he begins to wonder exactly what happens when one is cremated. This mood of awe is dramatized a...